Thomas Phinney · Font-related forensics, type design, font production, general typography expertise.

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  • Re: Composite glyphs

    Although I am fond of anchors and automatic positioning, not every accent can be handled well in this way. For the horn, in particular, if one is finicky about quality, positioning relative to the U …
  • Re: Composite glyphs

    Personally, I would be happy with being able to summon automatic anchor placement, on all selected glyphs or the entire font, which I could then modify to my liking. It saves me creating and naming t…
  • Re: Composite glyphs

    Basically, there is no good reason NOT to have combining accents in your font. You need to create the outlines anyway, just to make accented characters. Filling the non-combining accent slots does no…
  • Re: ccmp and decomposition

    If there are a lot of font styles involved, I imagine you could see pretty major savings by moving to variable fonts—at least for those browser versions that support them.
  • Re: Optical fonts

    Nowadays most people offering optical sizes are using axis-based type design (variable fonts or multiple master, at least behind the scenes) to create the in-between instances. Note that the changes …
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